
Taken with my traditional "no flash" on the indoor setting, without macro, my picture came out pretty good. You can even read my writing, but I won't because it will just make me hungry. Sazerac, anyone?



Macro and flashless, I took the angle of being able to walk through the project. It's like a construction site, stuff going up here, nearly finished stuff there, watch out for the dust and dirt piles on the smooth, white concrete finish. Wood and clay, life-sized, dim, because a construction site is only sun-lit when it's open air, at least until the electrical is run.









I couldn't decide how to take this photo, so I turned the flash off, angled myself with the light behind me, and aimed nearly 45 degrees on the wrapped gift. The angle is in the gift's wrapping, not in the camera, speaking of 45 degrees. I'm actually quite pleased with the color that came out in this, the little purple punch in the right bottom corner in a kind of yellowed, old paper look. No, Gillian, I did not just call you old; I called the paper old.




Tired of fighting with my trembling nerves to get a still shot, I used the mini flex-leg tripod. I spent a fair amount of time on composition on this, as the batteries in my camera being dead will attest. Shortly after I uploaded I read an article about the art of crooked cameras. I didn't feel so original anymore. I did succeed in hiding the mess of the kitchen, however.





